Re: Napster, Planned Obsolescence & Control

[David Goodman <dgoodman@phoenix.Princeton.EDU>]

Another way is to drastically lower the cost of production enough to
permit free distribution. The scholarly journal literature would seem
an obvious place to start, and all of us on this list are undoubtedly
familiar with the proposals by Ginsparg and others.
Perhaps the development of this technology will be the decisive factor so
long  anticipated.

I strongly disapprove of the use of such technology
to obtain illegal access to publications of any sort. I strongly
advocate the use of this technology to facilitate the
production and distribution of publications that do not need such
protection.


David Goodman, Princeton University
Biology Library
dgoodman@princeton.edu            
609-258-3235

___________________________
On Fri, 2 Jun 2000, Richard Jasper wrote:

> A little bit of background on me:
> 
> I've been a librarian for 15 years, almost all of that time having been
> spent in acquisitions and collection management in large research
> libraries. I've been dealing with licensing agreements for electronic
> materials since, oh, I dunno, about 1992. I've attended a Lolly Gassaway
> class on copyright (ACRL / Birmingham, circa 1992) and the ARL workshop
> licensing electronic materials (Chapel Hill, 1998?) I'm a firm believer in
> the value of and need for intellectual property rights; I'm also
> thoroughly aware of the fact that licensing agreements can expand or
> contract those "rights" based on the mutual agreement of two or more
> parties.
> 
> So what have I been doing for the past week?
> 
> Playing with Napster and loving it. It's too cool -- in three days I've
> learned more about the music I grew up with than in the previous 42 years
> of my life. I've never been able to put lyrics and song titles together
> with artists and, now, thanks to the sheer number of songs that have been
> archived (others would say "pirated") by music afficionados around the
> world, I'll be able to say "Ah, ha! That was the Hollies!" when
> _Cherrie-Anne_ pops up on the radio.
> 
> As a librarian, I suppose I should be ashamed of my enthusiasm for
> Napster. In fact, I'm ecstatic. And, because I'm a librarian, the
> dichotomy has me thinking about possible solutions. Napster (the idea, at
> the very least) isn't going to go away and if it does Gnutella is waiting
> in the wings. Nor do I want it to go away -- would that we had something
> as easy to use for medical literature!
> 
> Still, how is the creator of the intellectual property to be recompensed?
> I don't want people to stop making and selling new music, even though more
> has already been recorded than I'll ever be able to listen to.
> 
> Which reminds me of things like the 30-day free trial and planned
> obsolescence. Publishers long ago figured out that if you give someone
> something for free for 30 days chances are good that they will still want
> it -- and pay for it -- on Day 31. The trick (for the publisher) is making
> sure that you get it back if the customer decides s/he doesn't want to pay
> for it.
> 
> So what if Napster invented a little program (a virus?) that attached
> itself to every mp3 file downloaded with its software which said the
> following:
> 
> <Thanks for using our software to sample the world's recorded music. The
> <file(s) you downloaded will self-destruct in 30 days unless you agree to
> <pay $10 to the Napster / Music Industry Royalty Fund. You will be
> <prompted at the end of 30 days regarding whether you want to retain the
> <file for the specified fee.
> 
> Is it really that farfetched? I don't think so. Would there be a whole
> slew of technical obstacles to overcome? Of course. Would the music
> publishers howl? Most certainly.
> 
> On the other hand...
> 
> I'm beginning to think that internet and more specifically the world wide
> web really is the death knell for control of information, at least control
> in the old sense of "you can't have it unless I give it to you." Come hell
> or high water, people are going to get electronic information, whether
> it's recorded music or medical literature, regardless of whether the
> author of that information wants them to have it. The only way it *won't*
> be distributed is if it's never committed to electronic form in the first
> place. The question will be how to persuade people to pay for what they
> can freely obtain. One way to do that is to cheapen the value of what's
> freely obtainable (it falls apart in 30 days) and offer them something
> relatively permanent in exchange.
> 
> I think we as librarians are facing a similar end to control. We've spent
> the past 150 years advancing the idea that information could be
> controlled, in the sense of identified, classified, cataloged, indexed,
> annotated, etc. Until the web came along, this mission was still at least
> theoretically possible, no matter how far behind we might have been at
> time. With half a billion pages on the web and an unfathomable number of
> individual files sitting on servers, this idea no longer seems plausible
> to me. We're NOT going to be able to control it, in the sense of being
> able to classify, catalog, index or annotate more than the smallest
> fraction of it.
> 
> What does all of this mean for licensing? Or for those of us who have
> spent a goodly portion of our lives building collections and the
> bibliographic edifices which support them? Your guess is as good as mine.
> All I know is that any sense of accomplishment I have with respect to
> licensing -- and we've made a LOT of progress since the days when we were
> arguing with publishers regarding whether we were licensing materials to
> run on individual computers or within individual buildings -- pales to
> nothing when confronted with the possibilities of Napster.
> 
> Yours in licensing...
> 
> rpj
> 
> Richard P. Jasper, M.Ln.
> Assistant Director for Collections
> Houston Academy of Medicine-
> Texas Medical Center Library
> 
>