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RE: Darnton on the Google settlement
- To: <liblicense-l@lists.yale.edu>
- Subject: RE: Darnton on the Google settlement
- From: "David Prosser" <david.prosser@bodley.ox.ac.uk>
- Date: Mon, 9 Feb 2009 18:10:51 EST
- Reply-to: liblicense-l@lists.yale.edu
- Sender: owner-liblicense-l@lists.yale.edu
I'm afraid that much to Joe's exasperation, I'm sure, I still don't get it. Why would any publisher object to Google digitising books 'that literally will never be looked at'? I really can't see the potential loss or harm to the publisher there. And if Google wants to waste their money doing it then that's their problem. I really don't understand 'copyright-squatting' either. It sounds like one of those neologisms that are hysterical enough to imply harm while vague enough to avoid having to define that harm. Technically, Google may be infringing the publishers'' copyrights (although this has never been tested and some felt there was a fair use justification for what Google was doing), but the idea that they are making copies available to users is surely wrong - that right remained with the publishers. But to help me determine the hurt to publishers, let me describe a scenario. Publisher P has a distinguished history having publisher 10,000 titles over the past 100 years. Google comes along and starts digitising these titles to allow searching across the entire content. Publisher P objects and says 'for the 8,000 titles where we know we own the rights we object', and so Google takes the titles out of the programme. For the 2,000 titles where the rights are confused Publisher P reluctantly keeps quiet and Google includes the full-text in their search engines. Five years later the clever marketing people at Publisher P discover a cunning way of making money from the back-list. They research the rights issues surrounding the 2,000 ambiguous titles and discover that they own the rights to 1500 of them, the remaining 500 have either past into the public domain or rest with others (the authors or their descendants, say). Publisher P writes to Google demanding the withdraw of the 1500 titles they have now conclusively determined that they own, Google accedes to the request, leaving 500 titles from Publisher P (but not owned by the publisher) in Google and Publisher P goes on to implement their cunning money-making scheme. Under that scenario, what harm has Publisher P suffered? It investigated the rights issues when it wanted to (i.e., when it had determined a market-driven reason to do so) and it has been able to reap the benefits of the back-catalogue that it owns. (Who knows, the presence of some of its titles in Google may even have generated some print-on-demand sales as readers perform searches over the full text, but let's leave that to one side!) The advantage is surely that rather than Google having to investigate the rights situation of 10,000 titles to get 500 titles included, the publisher has had to investigate the situation of 2000 titles so as to withdraw 500 titles - and they have only done so when faced with a market need. What have I missed? Where is the harm? David -----Original Message----- From: owner-liblicense-l@lists.yale.edu [mailto:owner-liblicense-l@lists.yale.edu] On Behalf Of Joseph Esposito Sent: 07 February 2009 01:14 To: liblicense-l@lists.yale.edu Subject: RE: Darnton on the Google settlement David has this backwards. The question is not "what can publishers do with a book if they don't know who owns the rights" but "what kind of market opportunity is there that would lead me to research the rights (or any other aspect of the publishing process that requires time or investment)?" Publishers are market-driven. Since the marketplace is dynamic, publishers are always trying to imagine what the future market will look like. Is there a current or future market for a book that went out of print in 1945? If the answer is yes, it's a good time to invest. If the answer is no, the decision is likely to be to do nothing and wait to see if the market signals change. What Google has done is remove the market mechanism for publishers. Now investment has to be made not to meet a market opportunity but to fend off copyright-squatting. Is there a better way--better being defined as a means to meet real user demand and not waste time and money with copyright research and digitization for books that literally will never be looked at? You bet. This is precisely what Google was doing before it began its mass digitization project, and publishers flocked to Google, making large and significant--and targeted--investments in IP and digitization. Did this method solve all problems for all constituencies in one shot? Of course not. And as for the comment that "we all lose out," who loses if no one wants the book? And I mean no ONE, not a big market. There is a place for just-in-time, and a place for just-in-case. The art is in making the distinction. Joe Esposito -----Original Message----- From: owner-liblicense-l@lists.yale.edu [mailto:owner-liblicense-l@lists.yale.edu] On Behalf Of David Prosser Sent: Thursday, February 05, 2009 2:43 PM To: liblicense-l@lists.yale.edu Subject: RE: Darnton on the Google settlement Certainly, I am being flippant. But I do find the idea of a cut-off rather depressing. It sweeps into a fenced-off area of control works that may be in the public domain, or where the ownership can only be determined with great difficulty if at all, or where if they knew the rights holders would be only to happy to allow their works to be fully digitised. So we all lose out as we wait for the clock to tick down and for the deadline to creep forward year-by-year. But the opt-out option is much more interesting - I'm not going to argue about the legalities of it all as they have been rehashed over and over and also because I don't pretend to be an expert in the matter. But the concept! The concept that we include these works, but take them out if the rights holder objects, that's much more exciting. It brings more works into the project, it respects the rights of the owners, and it allows readers like me to find more titles that deal with topics of interest. If I can come down to earth with a sincere question: what can a publisher do with a title in their list where they don't know who owns the rights? David -----Original Message----- From: owner-liblicense-l@lists.yale.edu [mailto:owner-liblicense-l@lists.yale.edu] On Behalf Of Sally Morris (Morris Associates) Sent: 04 February 2009 23:16 To: liblicense-l@lists.yale.edu Subject: RE: Darnton on the Google settlement David: If I may say so, that's a rather flippant comment, coming from a former publisher! Google only has to determine the date of publication, which is after all written in the prelims of the book - it's my understanding that they are using a standard cutoff date - to determine whether or not the title is out of copyright The publisher, on the other hand, has to determine who currently holds the copyright: has it reverted to the author; if the author has died, who is the current holder... Sally Morris Email: sally@morris-assocs.demon.co.uk -----Original Message----- From: owner-liblicense-l@lists.yale.edu [mailto:owner-liblicense-l@lists.yale.edu] On Behalf Of David Prosser Sent: 02 February 2009 23:01 To: liblicense-l@lists.yale.edu Subject: RE: Darnton on the Google settlement I find it amusing that Google is expected to determine the copyright status of millions of titles before they can be digitised, but it is apparently unreasonable to expect publishers to determine the copyright status of the titles they publish themselves! David Prosser SPARC
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